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Marmaladereleases to theaters and VOD on June 17, 2025.
Joe Keery seems primed and prepped to become the next major star of the big screen. He’s young, charismatic and possesses an every-man charm that makes him endearing to audiences. While he’s conquered the realm of television as the fan-favorite Steve Harrington in Netflix’sStranger Things, the transition to film seems to be a mountain he’s struggled to climb and conquer.Marmalade,unfortunately, doesn’t showcase the level of excellence that I believe Keery to be capable of.
Also Read:Out of Darkness Review – A Stone Age Horror Filled With Dread
The story of Baron (Keery) and his ill-fated romance with Marmalade (Camila Morrone) unfolds as its recounted from the inside of a jail cell. Baron leads a quiet, simple life taking care of his mother; however that tranquility is upended when Marmalade enters his life and leads him down a dangerous path of crime and betrayal.
MarmaladeCritique
Camila Morrone dominates the screen in Keir O’Donnell’s directorial-debut. You may remember O’Donnell fromWedding Crasherswhere he played Todd, the “amazing painter” and black sheep of the wealthy Cleary clan. He has a long list of acting credits to his name, but to me he’ll always be Todd Cleary. His experience as a character actor benefits the screenplay, which he also wrote. The characters of Baron and Marmalade command the screen and their contrasting personalities bring a vibrant flair to the Bonnie and Clyde tale of romance and outlaws.
Where the film stumbles, and ultimately falls, is in its lack of clarity and coherence. It’s not difficult to follow, but the choices it makes are ones that leave you scratching your head and wondering what the reasoning was behind it. O’Donnell seems to have a clear affection for the heist genre and all of the tropes and plot points that accompany it. The thing about tropes and clichés is that they only work when utilized as a building block of soundly structured frame. Here, those tropes and clichés are used as the base upon which the entire film is built, and it ultimately gives out under its own weight.
It has its moments, and is admittedly entertaining; however, I found myself rolling my eyes scene after scene, especially as the film neared its conclusion. Worst of all, I wasn’t really interested in how it would end. I was never pulled into the world enough to have a vested interest in the outcome, and that’s a death sentence for this type of movie.
In Conclusion
Marmaladeloses steam in the third act due to a misguided need to interject twists and turns that undermine the strong efforts of it’s first hour. The cast all shine despite a script that doesn’t give them enough to work with, but those performances aren’t enough to salvage what we’re left with. Ultimately, its a love story without the romance and a heist movie without much of a heist.
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Joshua Ryan
Lead Film & TV Critics Editor
Articles Published :322
Born and raised in Central Florida, Joshua Ryan has harbored a love for cinema since the earliest years of his childhood. Through endless hours of watching Turner Classic Movies, especially the works of Alfred Hitchcock, his passion for film and film criticism grew. As an adult, he channeled that passion into a career as the editor and lead critic of FandomWire’s film and television department.
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ComedyJoe KeerymarmaladeReview
